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Baylor BU English Faculty Publications The Divine Face in Four Writers
  • Publications
    • Literacy in a Long Blues Note
    • Modernity, Community, and Place in Brian Friel's Drama
    • A Fire to Light Our Tongues
    • Hollow Palaces
    • Haunted Property
    • American Literary Cultures
    • Sacred Rhetorical Education in 19th Century America
    • Modernism in the Green
    • A Long, Long Way
    • Hope and Aesthetic Utility in Modernist Literature
    • The Courage to See
    • The Evil Twins of American Television
    • Harvest Bells
    • Letters of a Long Name
    • Constructing Nineteenth-Century Religion
    • Reforming Women
    • Thomas Hoccleve
    • Mark Twain Under Fire
    • Building Natures
    • Understanding Marilynne Robinson
    • Living with the Living Dead
    • The Life Group
    • Then Winter
    • Building Jerusalem
    • The Divine Face in Four Writers
    • Seamus Heaney: An Introduction
    • Imagined Spiritual Communities in Britain's Age of Print
    • Housework and Gender in American Television
    • The Boke of the Cyte of Ladyes
    • Entertaining Judgment
    • Seamus Heaney's Regions
    • Elegy on Kinderklavier
    • Tracing Southern Storytelling in Black and White
    • Mapping Christian Rhetorics
    • The Tulip-Flame
    • The Glyph and the Gramophone
    • The Prodigal
    • Beyond the Pulpit
    • The Reconstruction of Mark Twain
    • Sylvia Plath's Fiction

The Divine Face in Four Writers

Maurice Hunt, Professor of English

An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Hermann Hesse, and C.S. Lewis.

Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value.

Bloomsbury, 2015

ISBN 9781501311024


“Maurice Hunt demonstrates that a great many diverse works of religious and secular works have represented face-to-face encounters between human beings and gods or between human beings and their fellow human beings in order to convey religious or ethical ideas. I came away from this book with a new recognition of an important motif in Western religious and cultural history. I also came away with a deeper understanding of the psychology of religious belief. It is an impressive achievement.” —James Hirsh, Professor of English, Georgia State University

English

College of Arts & Sciences

Carroll Science 106

Department of English
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Waco, TX 76798-7404

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Baylor BU English Faculty Publications The Divine Face in Four Writers
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      Back
      • Literacy in a Long Blues Note
      • Modernity, Community, and Place in Brian Friel's Drama
      • A Fire to Light Our Tongues
      • Hollow Palaces
      • Haunted Property
      • American Literary Cultures
      • Sacred Rhetorical Education in 19th Century America
      • Modernism in the Green
      • A Long, Long Way
      • Hope and Aesthetic Utility in Modernist Literature
      • The Courage to See
      • The Evil Twins of American Television
      • Harvest Bells
      • Letters of a Long Name
      • Constructing Nineteenth-Century Religion
      • Reforming Women
      • Thomas Hoccleve
      • Mark Twain Under Fire
      • Building Natures
      • Understanding Marilynne Robinson
      • Living with the Living Dead
      • The Life Group
      • Then Winter
      • Building Jerusalem
      • The Divine Face in Four Writers
      • Seamus Heaney: An Introduction
      • Imagined Spiritual Communities in Britain's Age of Print
      • Housework and Gender in American Television
      • The Boke of the Cyte of Ladyes
      • Entertaining Judgment
      • Seamus Heaney's Regions
      • Elegy on Kinderklavier
      • Tracing Southern Storytelling in Black and White
      • Mapping Christian Rhetorics
      • The Tulip-Flame
      • The Glyph and the Gramophone
      • The Prodigal
      • Beyond the Pulpit
      • The Reconstruction of Mark Twain
      • Sylvia Plath's Fiction
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