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Baylor BU English Faculty Publications Tracing Southern Storytelling in Black and White
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    • Literacy in a Long Blues Note
    • Modernity, Community, and Place in Brian Friel's Drama
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    • American Literary Cultures
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    • Harvest Bells
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    • Thomas Hoccleve
    • Mark Twain Under Fire
    • Building Natures
    • Understanding Marilynne Robinson
    • Living with the Living Dead
    • The Life Group
    • Then Winter
    • Building Jerusalem
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    • The Boke of the Cyte of Ladyes
    • Entertaining Judgment
    • Seamus Heaney's Regions
    • Elegy on Kinderklavier
    • Tracing Southern Storytelling in Black and White
    • Mapping Christian Rhetorics
    • The Tulip-Flame
    • The Glyph and the Gramophone
    • The Prodigal
    • Beyond the Pulpit
    • The Reconstruction of Mark Twain
    • Sylvia Plath's Fiction

Tracing Southern Storytelling in Black and White

Sarah Gilbreath Ford, Professor of English

In Tracing Southern Storytelling in Black and White, Sarah Gilbreath Ford explores how both black and white southern writers such as Joel Chandler Harris, Charles Chesnutt, Zora Neale Hurston, William Faulkner, Eudora Welty, Ralph Ellison, Ellen Douglas, and Ernest Gaines have employed oral storytelling in literature.

Tracing Southern Storytelling in Black and White is a study of the historical use of oral storytelling by southern writers in written works. In each chapter, Ford pairs a white and an African American writer to highlight points of confluence in black and white southern oral traditions. She argues that the connections between white and African American southern writers run deeper than critics have yet explored, and she uses textual comparisons to examine the racial mixing of oral culture.

On porches, in kitchens, and on the pages of their work, black and white southerners exchanged not just stories but strategies for telling stories. As a boy, Joel Chandler Harris listened to the stories of African American slaves, and he devised a framework to turn the oral stories into written ones. Harris’s use of the frame structure influenced how Charles Chesnutt recorded oral stories, but it led Alice Walker to complain that her heritage had been stolen. Mark Twain listened to African American storytellers as a child. His use of oral dialects then impacts how Ralph Ellison and William Faulkner employ oral storytelling and how Toni Morrison later writes in response to Faulkner. The interactions are not linear, not a chain of influence, but a network of interactions, borrowings, and revisions.

Ford’s pairings lead to new readings that reveal how the writers employ similar strategies in their narratives, due in part to shared historical context. While Zora Neale Hurston and William Faulkner, for example, use oral storytelling in the 1930s to examine the fear of racial mixing, Ellen Douglas and Ernest Gaines use it in the 1970s to build bridges between the races. Exploring the cultural crossing that occurs in the use of oral storytelling, Ford offers a different view of this common strategy in southern narrative and a new perspective on how culture is shared.

University of Alabama Press, 2014

ISBN 9780817318239


"Tracing Southern Storytelling in Black and White is a significant contribution to literary scholarship of the US South and an important resource for those interested in studies of the self, oral storytelling, and narrative influences in southern and African American literature." —South Central Review

English

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Baylor BU English Faculty Publications Tracing Southern Storytelling in Black and White
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      • Literacy in a Long Blues Note
      • Modernity, Community, and Place in Brian Friel's Drama
      • A Fire to Light Our Tongues
      • Hollow Palaces
      • Haunted Property
      • American Literary Cultures
      • Sacred Rhetorical Education in 19th Century America
      • Modernism in the Green
      • A Long, Long Way
      • Hope and Aesthetic Utility in Modernist Literature
      • The Courage to See
      • The Evil Twins of American Television
      • Harvest Bells
      • Letters of a Long Name
      • Constructing Nineteenth-Century Religion
      • Reforming Women
      • Thomas Hoccleve
      • Mark Twain Under Fire
      • Building Natures
      • Understanding Marilynne Robinson
      • Living with the Living Dead
      • The Life Group
      • Then Winter
      • Building Jerusalem
      • The Divine Face in Four Writers
      • Seamus Heaney: An Introduction
      • Imagined Spiritual Communities in Britain's Age of Print
      • Housework and Gender in American Television
      • The Boke of the Cyte of Ladyes
      • Entertaining Judgment
      • Seamus Heaney's Regions
      • Elegy on Kinderklavier
      • Tracing Southern Storytelling in Black and White
      • Mapping Christian Rhetorics
      • The Tulip-Flame
      • The Glyph and the Gramophone
      • The Prodigal
      • Beyond the Pulpit
      • The Reconstruction of Mark Twain
      • Sylvia Plath's Fiction
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