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Baylor BU English Faculty Publications Haunted Property
  • Publications
    • 102 Days of Lying About Lauren
    • Bastille Day
    • The Interpretation of Owls
    • James Joyce and Samaritan Hospitality
    • Literacy in a Long Blues Note
    • Modernity, Community, and Place in Brian Friel's Drama
    • Modernist Authorship and Transatlantic Periodical Culture
    • A Fire to Light Our Tongues
    • Hollow Palaces
    • Haunted Property
    • American Literary Cultures
    • Sacred Rhetorical Education in 19th Century America
    • Modernism in the Green
    • A Long, Long Way
    • Hope and Aesthetic Utility in Modernist Literature
    • The Courage to See
    • The Evil Twins of American Television
    • Harvest Bells
    • Letters of a Long Name
    • Constructing Nineteenth-Century Religion
    • Reforming Women
    • Thomas Hoccleve
    • Mark Twain Under Fire
    • Building Natures
    • Understanding Marilynne Robinson
    • Living with the Living Dead
    • The Life Group
    • Then Winter
    • Building Jerusalem
    • The Divine Face in Four Writers
    • Seamus Heaney: An Introduction
    • Imagined Spiritual Communities in Britain's Age of Print
    • Housework and Gender in American Television
    • The Boke of the Cyte of Ladyes
    • Entertaining Judgment
    • Seamus Heaney's Regions
    • Elegy on Kinderklavier
    • Tracing Southern Storytelling in Black and White
    • Mapping Christian Rhetorics
    • The Tulip-Flame
    • The Glyph and the Gramophone
    • The Prodigal
    • Beyond the Pulpit
    • The Reconstruction of Mark Twain
    • Sylvia Plath's Fiction

Haunted Property

Slavery and the Gothic

 Sarah Gilbreath Ford, Professor of English

At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional.

Although literary critics have argued that the American gothic is driven by the nation’s history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood.

Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.

University Press of Mississippi, 2020

ISBN 9781496829702


"This fascinating, timely book examines the intersection of southern Gothic American literature and the American slave system. When humans are treated as property in the same way real estate, land, or buildings are a new genre emerges. The simple combination of romance and horror in gothic literature becomes darker and more complex when property is human. Ford (English, Baylor Univ.) advances the theory of how literary treatment of people as property humanizes tropes of nightmare, madness, terror, darkness, and haunting." —L. L. Johnson, Lewis & Clark College, CHOICE, June 2021, Vol. 58, No. 10

"Haunted Property: Slavery and the Gothic offers a wholly persuasive argument for slavery’s impact on American letters and history and its peculiar twinning as nightmare to American dreams of property and self-ownership. In the present moment, when old racial demons and anxieties seem to be resurrected across the country and when Confederate statues and memorials are increasingly denounced as racial provocations, Ford’s project has the great potential of clarifying and deepening current political debates on confronting and exorcising lingering ghosts of slavery. " —Susan Donaldson, Director of Undergraduate Studies and NEH Professor of English and American Studies, College of William & Mary

English

College of Arts & Sciences

Carroll Science 106

Department of English
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Waco, TX 76798-7404

(254) 710-1768
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      Back
      • 102 Days of Lying About Lauren
      • Bastille Day
      • The Interpretation of Owls
      • James Joyce and Samaritan Hospitality
      • Literacy in a Long Blues Note
      • Modernity, Community, and Place in Brian Friel's Drama
      • Modernist Authorship and Transatlantic Periodical Culture
      • A Fire to Light Our Tongues
      • Hollow Palaces
      • Haunted Property
      • American Literary Cultures
      • Sacred Rhetorical Education in 19th Century America
      • Modernism in the Green
      • A Long, Long Way
      • Hope and Aesthetic Utility in Modernist Literature
      • The Courage to See
      • The Evil Twins of American Television
      • Harvest Bells
      • Letters of a Long Name
      • Constructing Nineteenth-Century Religion
      • Reforming Women
      • Thomas Hoccleve
      • Mark Twain Under Fire
      • Building Natures
      • Understanding Marilynne Robinson
      • Living with the Living Dead
      • The Life Group
      • Then Winter
      • Building Jerusalem
      • The Divine Face in Four Writers
      • Seamus Heaney: An Introduction
      • Imagined Spiritual Communities in Britain's Age of Print
      • Housework and Gender in American Television
      • The Boke of the Cyte of Ladyes
      • Entertaining Judgment
      • Seamus Heaney's Regions
      • Elegy on Kinderklavier
      • Tracing Southern Storytelling in Black and White
      • Mapping Christian Rhetorics
      • The Tulip-Flame
      • The Glyph and the Gramophone
      • The Prodigal
      • Beyond the Pulpit
      • The Reconstruction of Mark Twain
      • Sylvia Plath's Fiction
  • Organizations
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